Panasonic Varicam 35Panasonic Varicam 35

V-LOG

V-709

4K V-709 for Simple Yet Creative Workflow

With V-709, a cinematic VariCam Look can be brought to the monitor for on-site previewing.
Color-graded images can be reproduced just after editing with a simple color-grading procedure. Even without color-grading processing on post-production, V-709 remains the best choice to create expressive images, especially for projects such as live events.

Delivering the color-gamut and gamma with HDTV-standard Rec.709 to images recorded onto Main and Sub recorders, viewfinder, or the monitor, V-709 supports simple operation for TV production.

The cinematic VariCam Look lies in the color science and deep color expression compared with conventional HDTV images. When the enhanced mode is set, VariCam provides operability similar to that of an HD production camera such as knee or matrix control. The AVC-Intra 4K recording format supports efficient workflow with high-quality images. ProRes HQ or ProRes 4444 can also be selected for shooting in FHD.

V-709: 4K/UHD AVC-Intra

RECORDING

Recording Block Diagram

* When Main recording is set to DCI-4K (4096 x 2160), Sub recording is 2048 x 1080.
Main recording is set to UHDTV-4K (3840 x 2160), Sub recording is 1920 x 1080.

Recording Format

Video Format Compression Format
Main / Sub fps VFR *1 Main Recorder Sub Recorder*2
4K / 2K 23.98, 24
25,  29.97
-- AVC-Intra4K444 AVC-Intra 2K422 AVC-ProxyG3.5
1 - 60(50) AVC-Intra4K422
1 - 120(100) AVC-Intra4K-LT
50
59.94
1 - 60(50) AVC-Intra4K422 AVC-Intra2K422 --
1 - 120(100) AVC-Intra4K-LT
UHD / HD 23.98
25,  29.97
-- AVC-Intra4K444 AVC-Intra422
AVC-Intra100
AVC-LongG50/G25
AVC-ProxyG3.5
1 - 60(50) AVC-Intra4K422
1 - 120(100) AVC-Intra4K-LT
50
59.94
1 - 60(50) AVC-Intra4K422 AVC-Intra422
AVC-Intra100
AVC-LongG25
--
1 - 120(100) AVC-Intra4K-LT

*1 In the case of 25 fps or 50 fps format, VFR range is 1–100 or 1–50.
*2 Sub Recorder supports off-speed (VFR) recording up to 60p.

Recording Time for expressP2 card 256 GB (Approx.)

P2 card
Signal Mode Frame Rate Recording Time*3
4K/UHD AVC-I 444 25p/30p 41 min
23.98p 51 min
AVC-I 422 50p/60p 41 min
25p/30p 81 min
29.98p 103 min
AVC-I LT 100/120p 36 min

*3 These are tested reference values for continuous recording. The recording time may differ depending on the scene or the number of clips.

VIEWING & EDITING

P2 Viewer Plus provides functionalities such as copying content, checking playback, and viewing metadata. Download the software here.
Many editing and color-grading software packages support AVC-Intra 4K formats.

Refer to the Viewing, Offloading, and Clip Management Page

V-709: 2K/HD AVC-Intra

RECORDING

Recording Block Diagram

* When 2K (2048 x 1080) is output, 1920 x 1080 image is horizontally squeezed.

Recording Format

Video Format Compression Format
Main / Sub fps VFR *1 Main Recorder Sub Recorder*2
2K / 2K 23.98, 24
25, 29.97
-- AVC-Intra2K444 AVC-Intra 2K422 AVC-ProxyG3.5
1 - 120(100) AVC-Intra2K422
50
59.94
1 - 120(100) AVC-Intra2K422 AVC-Intra2K422 --
HD / HD 23.98
25, 29.97
-- AVC-Intra444 AVC-Intra422
AVC-Intra100
AVC-LongG50/G25
AVC-ProxyG3.5
-- AVC-Intra 200
1 - 120(100) AVC-Intra 100
50
59.94
1 - 120(100) AVC-Intra 100 AVC-Intra422
AVC-Intra100
AVC-LongG25
--
50i
59.94i
-- AVC-Intra 100 AVC-Intra 100 AVC-ProxyG3.5

*1 In the case of 25 fps or 50 fps format, VFR range is 1–100 or 1–50.
*2 Sub Recorder supports off-speed (VFR) recording up to 60p.

Recording Time for expressP2 card 256 GB (Approx.)

P2 card
Signal Mode Frame Rate Recording Time*3
2K AVC-I 444 25p/30p 288 min
23.98p 180 min
AVC-I 422 50p/60p 147 min
25p/30p 296 min
29.98p 348 min
Signal Mode Frame Rate Recording Time
HD AVC-I 444 25p/30p 146 min
23.98p 178 min
AVC-I 200 25p/30p 143 min
23.98p 179 min
AVC-I 100 50/60p 144 min
25p/30p 285 min
23.98p 353 min

*3 These are tested reference values for continuous recording. The recording time may differ depending on the scene or the number of clips.

VIEWING & EDITING

P2 Viewer Plus provides functionalities such as copying content, checking playback, and viewing metadata. Download the software here.
Many editing and color-grading software packages support AVC-Intra 4K formats.

Refer to the Viewing, Offloading, and Clip Management Page

V-709 HD ProRes HQ/4444

RECORDING

Recording Block Diagram

Recording Format

Video Format Compression Format
Main / Sub fps VFR *1 Main Recorder Sub Recorder*2
2K/ 2K 23.98, 24
25,  29.97
1 - 48 ProRes 4444 XQ  
(1 - 50 at 25 fps)
1 - 60 ProRes 4444
1 - 96 ProRes 422 HQ
(1 - 100 at 25 fps)
1 - 120 ProRes 422
1 - 120 ProRes 422 LT
50
59.94  
1 - 96 ProRes 422 HQ
(1 - 100 at 50 fps)
1 - 120 ProRes 422
1 - 120 ProRes 422 LT
HD/ HD 23.98, 24
25,  29.97    
1 - 48 ProRes 4444 XQ  
(1 - 50 at 25 fps)
1 - 60 ProRes 4444
1 - 120 ProRes 422 HQ
1 - 120 ProRes 422
1 - 120 ProRes 422 LT
50
59.94 
1 - 120 ProRes 422 HQ
1 - 120 ProRes 422
1 - 120 ProRes 422 LT
50i
59.94i 
-- ProRes 422 HQ
-- ProRes 422
-- ProRes 422 LT

*1 In the case of 25 fps or 50 fps format, VFR range is 1–100 or 1–50.
*2 Sub Recorder supports off-speed (VFR) recording up to 60p.

Recording Time for expressP2 card 256 GB (Approx.)

P2 card
Signal Mode Frame Rate Recording Time*3
2K ProRes 4444 XQ 29.97p 58 min
25p 70 min
24p 73 min
23.98p 73 min
ProRes 4444 29.97p 87 min
25p 105 min
24p 109 min
23.98p 109 min
ProRes 422 HQ 59.94p 66 min
50p 79 min
29.97p 131 min
25p 157 min
24p 163 min
23.98p 163 min
ProRes 422 59.94p 98 min
50p 117 min
29.97p 194 min
25p 232 min
24p 241 min
23.98p 241 min
ProRes 422 LT 59.94p 142 min
50p 169 min
29.97p 278 min
25p 332 min
24p 345 min
23.98p 345 min
HD ProRes 4444 XQ 29.97p 67 min
25p 80 min
23.98p 83 min
ProRes 4444 29.97p 100 min
25p 120 min
23.98p 124 min
ProRes 422 HQ 59.94p 75 min
50p 90 min
29.97p 149 min
25p 178 min
23.98p 185 min
59.94i 149 min
50i 178 min
ProRes 422 59.94p 112 min
50p 134 min
29.97p 221 min
25p 264 min
23.98p 275 min
59.94i 221 min
50i 264 min
ProRes 422 LT 59.94p 161 min
50p 192 min
29.97p 315 min
25p 375 min
23.98p 390 min
59.94i 315 min
50i 375 min

*3 These are tested reference values for continuous recording. The recording time may differ depending on the scene or the number of clips.

VIEWING & EDITING

Applying Apple ProRes as recording format (ProRes HQ/ ProRes4444) brings extra accessibility to the smooth workflow including viewing and editing processes.

ProRes is licensed from Apple Inc. Apple ProRes codec from Atomos under license. Atomos is trademark and copyright of Atomos Global Pty. Ltd.