High-quality Recording

1/2.5-type (1/2.5-inch) Sensor

Increasing the readout speed has made it possible to handle large-volume 4K data at a fast 60 fps. This suppresses the rolling shutter distortion that often occurs when shooting moving subjects.

Wide 25mm* and Optical 24x Zoom Lens

The lens covers the range from 25mm wide-angle to 600mm tele with a 24x zoom achieved by a 4-Drive Lens System.

  • * 35mm camera equivalent.

i.ZOOM 32x (UHD) / 48x (FHD)

4K High-Precision AF

An image sensor with 60fps readout and a precise focus lens drive enable superior focusing speed, stability and tracking performance for both 4K and FHD. Complex 4K focusing is also automated for comfortable framing of stunning 4K shots.

Face Detection AF/AE Using Color

Face Detection precisely captures subjects on-site free from out-of-focus problems and insufficient exposure.
Also, by adding color recognition, tracking subjects is improved, without interruption, when the face moves to either side.

5-Axis Hybrid O.I.S. (UHD/FHD)

In both UHD/FHD modes, in addition to Optical Image Stabilization, Electronic Image Stabilization detects and corrects handshake in the 5-axis direction. This provides strong correction under unstable conditions, such as low-angle and high-angle shooting.

Ball O.I.S. System

This system reduces friction on the drive section, achieving delicate correction even for small-amplitude handshake.

O.I.S. Lens Unit

ND Filter

ND filters are built into the lens to suppress the amount of incident light. The filters can be selected (1/4, 1/16, 1/64, or OFF) to match the shooting environment. This is convenient, for example, when you want to shoot at a slow shutter speed in bright daylight. Also, when opening the aperture, you can attain high resolution and a shallow depth of field.

High-resolution Image

ND Filter 1/16, F2.8

Slow Shutter Speed

ND Filter 1/64

Heat-Dispersing Design

A new ultrathin fan disperses heat in the camcorder with integrated lens and 4K 60p recording. It is the industry's smallest and lightest unit with low power consumption.

Venus Engine

The Venus Engine, which contains technologies accumulated with LUMIX, is newly incorporated in these camcorders. This enables 4:2:2 10-bit internal recording with maximum 29.97p in UHD, and maximum 59.94p in FHD.

HEVC 4:2:0 10-bit Recording

Equipped with new, highly efficient codec HEVC recording.
High-bit rate recording with LongGOP 200M (59.94p, 4:2:0 10-bit, MOV) and LongGOP 100M (59.94p, 4:2:0 10-bit, MP4) is possible.

Multi-Formats Supported

Versatile formats and bit rates are available. In addition to easy-to-edit MOV and MP4, 720p AVCHD 8-Mbps (PM) mode is included.

Recording Mode Recording Size Color Sampling Bit Depth Bit Rate Frame Rate Sound
MOV UHD 422 LongGOP 150M 3840 x 2160 4:2:2 10 bit 150M VBR 29.97p/ 25p/ 23.98p 24bit LPCM
HEVC LongGOP 200M 3840 x 2160 4:2:0 10 bit 200M VBR 59.94p/ 50p 24bit LPCM
HEVC LongGOP 150M 3840 x 2160 4:2:0 10 bit 150M VBR 29.97p/ 25p/ 23.98p 24bit LPCM
HEVC LongGOP 100M 3840 x 2160 4:2:0 10 bit 100M VBR 59.94p/ 50p 24bit LPCM
420 LongGOP 150M 3840 x 2160 4:2:0 8 bit 150M VBR 59.94p/ 50p 24bit LPCM
420 LongGOP 100M 3840 x 2160 4:2:0 8 bit 100M VBR 29.97p/ 25p/ 23.98p 24bit LPCM
FHD 422 ALL-I 200M 1920 x 1080 4:2:2 10 bit 200M VBR 59.94p/ 50p 24bit LPCM
422 ALL-I 100M 1920 x 1080 4:2:2 10 bit 100M VBR 29.97p/ 25p/ 23.98p/ 59.94i/ 50i 24bit LPCM
422 LongGOP 100M 1920 x 1080 4:2:2 10 bit 100M VBR 59.94p/ 50p 24bit LPCM
422 LongGOP 50M 1920 x 1080 4:2:2 10 bit 50M VBR 29.97/ 25p/ 23.98p/ 59.94i/ 50i 24bit LPCM
MP4 UHD HEVC LongGOP 100M 3840 x 2160 4:2:0 10 bit 100M VBR 59.94p/ 50p 16bit AAC
HEVC LongGOP 72M 3840 x 2160 4:2:0 10 bit 72M VBR 29.97p/ 25p/ 23.98p 16bit AAC
420 LongGOP 72M 3840 x 2160 4:2:0 8 bit 72M VBR 29.97p/ 25p/ 23.98p 16bit AAC
FHD 420 LongGOP 50M 1920 x 1080 4:2:0 8 bit 50M VBR 59.94p/ 50p/ 23.98p 16bit AAC
AVCHD FHD PS 1920 x 1080 4:2:0 8 bit 25M VBR 59.94p/ 50p Dolby Audio
PH 1920 x 1080 4:2:0 8 bit 21M VBR 23.98p/ 59.94i/ 50i Dolby Audio
HA 1920 x 1080 4:2:0 8 bit 17M VBR 59.94i/ 50i Dolby Audio
HD PM 1280 x 720 4:2:0 8 bit 8M VBR 59.94p/ 50p Dolby Audio
FHD AVC-Intra100 1920 x 1080 4:2:2 10 bit 100 Mbps (59.94i)* 59.94i, 50i 24 bit /16 bit LPCM
AVC-LongG50 1920 x 1080 4:2:2 10 bit 50 Mbps (59.94i) (VBR) 59.94i, 50i 24 bit LPCM
AVC-LongG25 1920 x 1080 4:2:2 10 bit 25 Mbps (59.94i)* (VBR) 59.94p, 50p, 59.94i, 50i
AVC-LongG12 1920 x 1080 4:2:0 8 bit 12 Mbps (59.94i)* (VBR) 59.94p, 50p, 59.94i, 50i 16 bit LPCM
HD AVC-Intra100 1280 x 720 4:2:2 10 bit 100 Mbps (59.94p) 59.94p, 50p 24 bit /16 bit LPCM
AVC-Intra50 1440 x 1080 4:2:0 10 bit 50 Mbps (59.94i) 59.94i, 50i
960 x 720 4:2:0 10 bit 50 Mbps (59.94p) 59.94p, 50p
AVC-LongG50 1280 x 720 4:2:2 10 bit 50 Mbps (59.94p) (VBR) 59.94p, 50p 24 bit LPCM
AVC-LongG25 1280 x 720 4:2:2 10 bit 25 Mbps (VBR) 59.94p, 50p
AVC-LongG12 1280 x 720 4:2:0 8 bit 12 Mbps (VBR) 59.94p, 50p 16 bit LPCM
  • * The bit rate increases to two times when recorded in 59.94p or 50p.

Proxy Rec Supported

Proxy rec is available. AVC-Proxy G6 mode is included.

Proxy Rec Format

Main Rec Format Proxy Rec Format
Line Frequency Video codec Line & frequency Video sample Video codec Audio
P2 1920x1080 59.94/50.00p AVC-LongG25(1b) 1920x1080_59.94/50p 4:2:0 8bit AVC-G6 12Mbps AAC 2ch 48kHz 16bit
59.94/50.00i AVC-Intra100(atom) 1920x1080_59.94/50i 4:2:0 8bit AVC-G6 6Mbps AAC 2ch 48kHz 16bit
1280x720 59.94/50.00p AVC-Intra100(atom) 1280x720_59.94/50p 4:2:0 8bit AVC-G6 6Mbps AAC 2ch 48kHz 16bit
  • * When “File format” is “MOV”, “MP4”, “AVCHD” and “AVC-LongG12”, proxy rec is not possible.

4:2:2 10-bit Internal Recording / HDMI Output

Records a 4:2:2 10-bit color profile of up to LongGOP UHD 29.97p/25p (150 Mbps), or FHD 59.94p/50p (100 Mbps) with SD cards. When set for 10-bit recording, the camcorder delivers 4K 60p 4:2:2 10-bit HDMI output, enabling high image quality capture with an external recorder.

MOV File System for Excellent File Management

The same file system as that used with the AG-CX350 Professional Handheld Camcorder will automatically create filenames 20 characters in length for easy control of clips. Conventional AVCHD acquisition is also supported.

Super Slow-motion Recording

In FHD mode, slow-motion recording at 120 fps (for 59.94 Hz)/100 fps (for 50 Hz) is possible. 10-bit recording is supported, and full-frame images with the image area uncropped are obtained even at high frame rates. Auto focus can also be used even during Super Slow-motion Recording.

IR (Infrared) Shooting in Dark Places

The IR Cut Filter can be turned ON/OFF (allocated on the User button). When the filter is turned OFF, commercially available IR lights* can be used for shooting in dark places.

  • * Recommended: 850-nm wavelength light.

16-Axis Independent Color Correction Function

This function provides an independent effect to each of the 16 phases of video images. It enables color matching of multiple cameras under the same lighting conditions as well as creative image rendering.

Soft Skin

Makes skin colors appear softly and beautifully. Especially effective when recording the person up close.

Soft Skin OFF

Soft Skin ON

Master Detail

Adjusts the overall degree of contour enhancement.



8-Mode Gamma

Gamma can be selected from eight modes, including two Cine-Like modes developed based on VariCam know-how. Desired gradation can be achieved to suit specific video production needs.

Scene Files

Six files preset with picture quality settings are provided as Scene Files (Standard, Shooting under fluorescent lights, Spark, STILL-LIKE, CINE-LIKE contrast, and CINE-LIKE dynamic range). You can change any of the settings as desired and store one set as a Custom File in the camcorder.

Scene File Setting Items

  • • Master Detail
  • • Detail Coring
  • • V Detail Level
  • • RB Gain Control Setting
  • • Chroma Level
  • • Chroma Phase
  • • Matrix
  • • Color Correction Setting
  • • Skin Tone Detail
  • • Master Pedestal
  • • Gamma Mode
  • • Black Gamma
  • • Knee Mode
  • • White Clip Setting
  • • DRS
  • • DRS Effect
  • • NR Control
  • • AE Level
  • • AE Level Effect

Save/Restore Camera Setting

This function lets you save your camera’s setup information to a file on an SD memory card, which is helpful when you need the same settings for later use, or when shooting with multiple cameras and users.

LCD/EVF Displays That Assist Shooting

  • • Waveform Monitor Display
  • • Vector Scope
  • • Zebra Pattern
  • • Luminance Level Adjustment
  • • Level Gauge

Professional Assist Functions

  • • Flash Band Correction
  • • Shockless Auto White Balance
  • • Selectable matrix tables including CINE-LIKE mode
  • • V detail, detail coring
  • • Chroma level, chroma phase, color temperature, master pedestal
  • • Knee point setting

Supported for Pro Operations

Simultaneous Display on LCD Monitor and EVF

Simultaneous LCD/EVF output constantly displays the LCD monitor image whether the EVF is being viewed or not.

3.5-inch LCD with Touch Operation

The approx. 2,760-k dot LCD monitor has an RGB pixel structure for high legibility in bright light, and an electrostatic touch panel for easy menu selection.

Selfie-shooting Mode

Operational icons are displayed on the touch panel even when the LCD monitor is rotated 180 degrees, so you can shoot while confirming facial expressions and the angle of view.

Tiltable Viewfinder with Eyecup

The 1,560K-dot-equivalent color viewfinder can be tilted for added convenience. The large eyecup fits either eye comfortably.

Two Manual Rings

Two Manual Rings are provided, one for focusing and the other for zoom or iris operation. The use of the Manual Rings is improved by using different-sized rings in the front and rear, so they can be distinguished by the fingers.

Double SD Card Slot

Two SD card slots are provided. This enables unlimited relay recording by simply changing SD cards, and also allows the use of various recording systems to ensure high recording reliability.

Simultaneous Recording

Identical data is recorded onto cards in both slots in this redundant recording mode.

Background Recording

One SD card can be set in Slot 2 to record continuously, and another SD card can be set in Slot 1 to record necessary scenes by turning REC on and off.

Other Recording Functions

  • Pre Rec
    This function constantly caches approximately 10 seconds of video and audio data in AVCHD format and FHD MOV/MP4 format, approximately 5 seconds in UHD MOV/MP4 format or approximately 3 seconds in P2* format, prior to Rec Start, so the data can be recovered in case there is a delay in pressing Rec Start.
  • Interval Rec
    Records intermittently based on a set interval time of 8 patterns, from 1 second to 10 minutes.
  • Time Stamp
    The date and time can be stamped onto recorded images.
  • * AG-CX10 only

Built-in LED Video Light

The video light is extremely bright (70 lx at 1 meter) for reliable shooting in dimly lit places. The Dimming Dial on the handle can be used to easily dim the brightness from 30%-100%.

24-bit High Resolution Linear PCM Audio Recording

+48V Phantom Power Supply/MIC/LINE Selectable XLR Audio Input with Manual Volume is equipped for each of 2 channels. Also supports 24-bit high-resolution PCM audio recording with a professional mic.

Cable Holding Clamp

A cable clamp on the hand belt prevents the cable from catching on objects when shooting, or pulling out a terminal to interrupt live streaming.

Detachable Handle Unit

Easily detachable and equipped with a REC Button, Zoom Lever, 2-channel XLR Audio Input, LED Light, etc. Capable of full-scale audio recording with a professional mic.

User Buttons

38 functions can be allocated to the User Buttons. There are a total of 12 User Buttons: five on the body, and seven on the LCD Touch Panel. The O.I.S. and AE LEVEL buttons can also be used as User Buttons.

Main Parts and Controls

  • 01. Built-in LED Light
  • 02. Line/Mic/+48V Switch
  • 03. Audio Level Dial
  • 04. Built-in Mic or MIC Terminal/Input Terminal Switch
  • 05. Auto/Manual Audio Level Switch
  • 06. Built-in Stereo Microphone
  • 07. LCD Monitor
  • 08. SD Card Slot x 2
  • 09. Slot Select Button
  • 10. User 1 Button
  • 11. User 2 Button
  • 12. O.I.S./User 3 Button
  • 13. Handle Unit Mounting Screw
  • 14. Thumbnail Button
  • 15. Display/Mode Check Button
  • 16. Eye Cup
  • 17. Lens Hood
  • 18. Lens Cover Open/Close Switch
  • 19. Focus Ring
  • 20. Zoom/Iris/Iris or AE Level Ring
  • 21. ND Filter Switch
  • 22. Focus A/M/∞Button
  • 23. Multi-function Dial
  • 24. Exit Button
  • 25. Menu Button
  • 26. Iris Button
  • 27. Gain Button
  • 28. Shutter Button
  • 29. Auto/Manual Switch
  • 30. AE Level/User 4 Button
  • 31. White Balance Button
  • 32. Power Button
  • 33. Zoom Lever
  • 34. Light Dimmer Dial
  • 35. Light Switch
  • 36. REC Button
  • 37. Hold Lever
  • 38. Accessory Shoe
  • 39. SDI OUT
  • 40. HDMI Terminal
  • 41. DC IN Terminal
  • 42. Headphones Terminal
  • 43. REC Button
  • 44. Fan Inlet
  • 45. User 5 Button
  • 46. Cable Holding Clamp
  • 47. Grip Belt
  • 48. Zoom Lever
  • 49. Mic Cable Clamp
  • 50. Fan Outlet
  • 51. USB Terminal
  • 52. REMOTE Terminal
  • 53. Mic Terminal
  • 54. XLR Audio Input x 2
  • 55. Microphone Holder

Versatile Networking Functions

Wireless Control from a Tablet or Smartphone

Use wireless remote control with a tablet/smartphone app HC ROP (downloadable for free from the App Store or Google Play).*1 In addition to zoom and focus lens control, the app enables remote control of various other functions, including camera setting, picture quality adjustment, REC start/stop and menu setting. What’s more, the app can be used to select the camera to control from up to eight cameras.*2

* Pictures simulated.

  • *1: iPad/iPhone: iOS 11 or later and ipadOS are supported. Android devices: Android 6.0 or later are supported.
  • *2: The app does not support simultaneous/synchronous control of multiple cameras.
    Camera switching takes several seconds.

Wired Remote

Equipped with a REMOTE terminal (2.5-mm super mini jack) for remote operation of focus, zoom, REC start/stop, etc.

  • * A wired remote controller (commercially available) is required.

FHD Live Streaming

RTSP/RTP/RTMP/RTMPS-compatible FHD streaming enables direct connection and distribution of relays for concerts, sports events, and news flashes to Facebook, YouTube, etc. While streaming, recording (with modes below FHD) onto SD cards in the camera is also possible.

3G-SDI Output

The 3G-SDI output terminal (BNC connector, 5CFV) can be used to transmit FHD 1080/60p, 1080/50p signals through a coaxial cable over a distance of up to 100 m. Panasonic recorders equipped with SDI input can be linked to the Rec Start/Stop function of the AG-CX10/HC-X2000.

P2 MXF File Formats Supported with Proxy

The AG-CX10 supports the MXF P2 file format for broadcasting. Main recording with AVC-Intra or AVC-LongG codec and sub (proxy) recording with AVC-Proxy G6 codec can be recorded simultaneously. Despite the low bit rate of 12 Mbps or 6 Mbps, the proxy data has the same angle of view and resolution as the main recording, enabling highly immediate breaking news.

  • * Proxy recording cannot be used during MOV/MP4/AVCHD/AVC-LongG12 codec recording, streaming, NDI|HX, interval recording, simulcast recording, background recording and timestamp recording.

Easy IP Connection: NDI | HX Capable

Transmits data and camera control via IP connection, without a converter. Linking the AV-HLC100 and HN/UN Series enables a live streaming system.

  • * Recording, streaming and 4K output are not available when using NDI | HX mode.
    Purchasing of an Activation Key is required to use the NDI | HX function. For details, refer to the NewTek website.

Ethernet (Conversion Adaptor Included)

Wired Internet connection is possible by simply providing a LAN cable. This enables stable live streaming even in environments with unstable Wi-Fi.

  • * The supplied USB HOST conversion cable and USB ethernet adaptor are necessary for the connection.