High Shooting Quality

Wide-Angle 24.5 mm Optical 20x Zoom, Plus i.Zoom

An image shot in a room using the wide angle.

Panasonic boasts the world’s largest market share in the aspherical lens segment. Its cutting-edge optical technology was maximized in the development of the integrated lens used in the AG-CX350. This lens has the industry’s widest angle of 24.5 mm*1 on the wide end and allows recording of wide-angle images with minimal distortion, without the use of a conversion lens. The optical 20x zoom covers up to 490 mm telephoto in all modes. Furthermore, the i.Zoom enables seamless zooming of up to 32x in HD or up to 24x in UHD from the telephoto end with no degradation in resolution. The AG-CX350 also comes with digital 2x/ 5x/ 10x zoom.*2

  • *1: In 35 mm equivalent. The AG-CX350’s wide 24.5 mm angle is the widest in the industry for UHD/FHD (16:9). In the segment of camcorders with integrated lens, the Panasonic AG-UX180 achieved the industry’s widest angle of 24 mm in UHD/24p (17:9). For UHD/FHD (16:9), 25.4 mm is the widest angle in the industry. (Both As of October 2020, according to a Panasonic survey)
  • *2: When using the digital zoom, picture quality degrades as the magnification rate increases.

High-Definition, High-Sensitivity 1.0-type 15M MOS Sensor

The 1.0-type MOS (approximately 15,030,000 pixels) offers an outstanding depth of field and excellent balance between image quality and sensitivity. It supports multi-formats, such as UHD (3840 x 2160), FHD, HD and SD, and provides images without cropping in all modes. This MOS sensor also boasts high sensitivity of F12 (60 Hz) /F13 (50 Hz) (in both UHD and FHD in High Sensitivity mode).

Intelligent AF and Face Detection/Tracking AE & AF

An image of face detection autofocus in action

The AG-CX350’s auto focus system is Intelligent AF, which is equipped with a micro drive focus unit to achieve high focusing speed, excellent tracking performance and superb stability.
Equipped with Face Detection AE & AF, it detects human faces (up to 9 faces/automatically determines the main face) and automatically adjusts exposure and focus. In addition, it has an auto-tracking AE & AF function that follows the subject (color) touched on the LCD monitor.*

  • * The face detection AE & AF does not function during infrared recording, VFR/super slow recording or when using Expand/Focus Assist or AREA/AF AREA.

Built-in 5-Axis Hybrid Image Stabilizer

5-Axis Hybrid Image Stabilize

The AG-CX350 has a built-in hybrid image stabilizer that combines optical and electronic camera shake compensation functions. It corrects camera shake in five axial directions in all modes* including UHD to provide powerful camera shake compensation power in low-angle shooting, high-angle shooting and all other unstable conditions. There are three modes to choose from: NORMAL (standard), STABLE (effective for fixed-frame shooting) and PAN/TILT (effective in panning and tilting).

  • * Excluding Super Slow and VFR modes.

Manual Three Rings and Focus Assist

The AG-CX350 comes with Manual Three Rings for zoom, focus and iris control. They deliver quick response and provide tactile feel that satisfies professionals. The zoom lever located at the upper section of the handle has a multi-step variable zoom function, allowing smooth zooming from ultra-low speed when shooting from low angle shooting and when a tripod is used.
The AG-CX350 is also equipped with Expand and Peaking (simultaneous display possible), Manual Focus Assist, LCD Touch Focus (switchable to Auto Iris or brightness display), Area Focus and One-Push AF Focus Assist.

Manual Three Rings

HDR-Compliant V-Log/HLG (Hybrid Log-Gamma)

13.5 stop Wide Dynamic Range

The AG-CX350 features HLG (Hybrid Log-Gamma)* to support HDR (High Dynamic Range,) in addition to V-Log gamma, which is equipped with 13.5 stops of wide dynamic range. The gamma mode can be selected from nine modes (HD, SD, FILMLIKE 1, FILMLIKE 2, FILMLIKE 3, FILM-REC, VIDEO-REC, HLG, V-Log).

  • * The HLG specification was developed jointly by Japanese broadcaster NHK and the BBC in the UK. It is defined in ARIB STD-B67 and ITU Rec. 2100.

Broadcast-Grade Picture Quality Adjustment Functions

16-Axis Independent Color Correction Illustration

  • 16-Axis Independent Color Correction: Provides an independent effect to each of the 16 phases of video images. It enables color matching of multiple cameras under the same lighting conditions as well as creative image rendering.
  • Master Detail: Adjusts the overall degree of contour enhancement.
  • Skin Detail: Makes skin colors appear soft and beautiful.
  • Scene Files: Six preset files are provided. You can change any of the settings as desired.
  • Other Picture Settings: Matrix tables, V detail, detail coring, chroma level, chroma phase, color temperature, master pedestal and knee.

Simultaneous Display on High-Brightness, High-Definition LCD and High-Resolution OLED EVF

The AG-CX350 features a new 3.2-type high-definition LCD monitor (approximately 1,620,000 dots). This LCD monitor uses the RGBW (red, green, blue, white) pixel structure to provide high visibility even in bright sunlight. The 3:2 aspect ratio enables the display of timecode and camera status without superimposing on the image. The touch panel function allows convenient touch focus and menu setting. The viewfinder is a high-resolution color OLED (approximately 2,360,000 dots, with an image display area of approximately 1,770,000 dots) that offers superb color reproduction. Since the AG-CX350 newly supports simultaneous LCD and EVF outputs, the LCD monitor can display the captured image at all times even when you look away from the EVF.

LCD Monitor Screen While Shooting (Pictures simulated)

Multi-Format, Multi-Codec Recording

HEVC Codec for High-Image-Quality 10-bit 4K/60p Recording at Low Bit Rate

The AG-CX350 is capable of recording in various formats at different compression rates (see “Recording Format”). It can record 4K (UHD) 60p/50p videos in high-image-quality 10-bit on an SD memory card. Using the high-efficiency HEVC codec (H.265, LongGOP, 10-bit, 4:2:0, MOV), free software, such as the VLC Media Player or QuickTime Player, provides smooth playback on a notebook PC or MacBook.*
The AG-CX350 records MOV files that are highly compatible and easy to use. This file format supports long file names with up to 20 characters, allowing recorded video clips to be easily managed. The AG-CX350 also supports conventional AVCHD recording, including the AVCHD 8 Mb/s mode, used widely as the format in college and professional football coaching analysis.

  • * Playback may lack smoothness depending on the PC environment, such as storage and memory devices.

P2 MXF File Formats Supported with Proxy and Shot Mark

The AG-CX350 supports the MXF P2 file format for broadcasting. Main recording with AVC-Intra or AVC-LongG codec and sub (proxy) recording with AVC-Proxy G6 codec can be recorded simultaneously. Despite the low bit rate of 12 Mbps or 6 Mbps, the proxy data has the same angle of view and resolution as the main recording, enabling highly immediate breaking news. The sub-recording gamma setting can be set to V-709 if the main recording is set to V-log, and to SDR when the main recording is set to SDR, allowing recording with and without grading in parallel. It also supports the Shot Mark function, which enables thumbnail display, playback, and upload of only the marked clips, just like a P2HD camera recorder for broadcasting.

  • * Proxy recording cannot be used during MOV/AVCHD/AVC-LongG12 codec recording, streaming, NDI|HX, VFR, interval recording, simulcast recording, background recording and timestamp recording. Shot Mark cannot be used during MOV/AVCHD codec recording, interval recording and when playback is paused. In simultaneous recording mode, the Shot Mark as last clip is not supported.

Clip Metadata Functions

Clip metadata (cameraperson, location, date, time, text memory, etc.) is added to the clips. In addition to the camera itself, data settings can be transferred from an SD card, the CX ROP app or the cloud. A list of clip metadata can be displayed on the camcorder’s LCD monitor.

10-bit Variable Frame Rate (VFR) without Cropping

* Simulated Image

In UHD, variable frame rate (VFR) recording at 1 fps to 60 fps is possible. In FHD, super-slow can be realized at a maximum of 120 fps. Both provide high-quality 10-bit, full-frame pictures with no image area cropping even at high frame rates.

  • * VFR and super slow are supported only in MOV recording mode.

24-bit PCM Audio 4-Channel Recording

The AG-CX350 enables 4-channel recording using the built-in microphone (2-channels) and XLR (2-channels)*1. In MOV or P2 MXF mode, 24-bit linear PCM recording delivers higher sound quality. Other audio features include manual volumes, OSD level meter, 1 kHz test tone output*2 and headphone output (3.5 mm-diameter stereo mini jack).

  • *1: When MOV or P2 MXF is selected as the main recording format. In AVC-LongG12 mode, only 16-bit LPCM 4-channel recording is supported. And in AVCHD mode, only 2-channel recording is possible.
  • *2: This output is produced when the color bar is displayed. When the 50 Hz system frequency is selected, the output is 997 Hz.

Freeze Frame (Still Image Capture)

When playing back video clips on the AG-CX350, any desired frame can be captured as a still image (JPEG) and recorded onto an SD memory card. Video playback, frame advance (+/-), and still-image captures can all be done intuitively by touch panel operation.

Double Memory Card Slots Improve Recording Reliability

Two SD memory card slots capable of using SDXC/SDHC/microP2 cards*1 enable unlimited*2 relay recording by simply changing SD memory cards. Recording reliability is further improved with simultaneous recording and background recording. And the AG-CX350 is equipped with Pre Rec, Interval Rec and Time Stamp recording functions.

Unlimited Relay Recording*2

Automatically records continuously from Slot 1 to Slot 2. By changing a full card with a new card, images can be recorded continuously for many hours.

Simultaneous Recording

Identical data is recorded onto cards in both slots in this dual recording mode.

Background Recording*3

Records ordinary Rec Start/Stop-controlled data in Slot 1, and records all data, even when Slot 1 is stopped, in Slot 2.

  • *1: For memory card usage conditions, see the table below.
  • *2: If the relay recording time reaches 10 hours, shooting will temporarily stop, and then automatically restart a few seconds later. If it is recorded in MOV format, the file will be split every 3 hours and recorded.
  • *3: Supported only in MOV recording mode.

Recording Format

Recording Format Pixels Color Sampling Bit Depth Bit Rate File Format VFR*2 Audio
MOV
(HEVC)
UHD HEVC LongGOP 200M 3840 x 2160 4:2:0 10 bit 200 Mbps (VBR) 59.94p, 50p 1 to 60 fps [50 fps]
(Max. 200 Mbps)
24 bit LPCM
HEVC LongGOP 150M 3840 x 2160 4:2:0 10 bit 150 Mbps (VBR) 29.97p, 25p, 23.98p
HEVC LongGOP 100M 3840 x 2160 4:2:0 10 bit 100 Mbps (VBR) 59.94p, 50p
MOV
(AVC)
422ALL-I 400M 3840 x 2160 4:2:2 10 bit 400 Mbps (VBR) 29.97p, 25p, 23.98p 1 to 30 fps [25 fps]
422LongGOP 150M 3840 x 2160 4:2:2 10 bit 150 Mbps (VBR) 29.97p, 25p, 23.98p 1 to 30 fps [25 fps]
420LongGOP 150M 3840 x 2160 4:2:0 8 bit 150 Mbps (VBR) 59.94p, 50p 1 to 60 fps [50 fps]
(Max. 150 Mbps)
420LongGOP 100M 3840 x 2160 4:2:0 8 bit 100 Mbps (VBR) 29.97p, 25p, 23.98p
FHD 422ALL-I 200M 1920 x 1080 4:2:2 10 bit 200 Mbps (VBR) 59.94p, 50p 1 to 60 fps [50 fps]
Super Slow:
120 fps
[100 fps]
(Max. 400 Mbps)
422ALL-I 100M 1920 x 1080 4:2:2 10 bit 100 Mbps (VBR) 29.97p, 25p, 23.98p, 59.94i, 50i
422LongGOP 100M 1920 x 1080 4:2:2 10 bit 100 Mbps (VBR) 59.94p, 50p 1 to 60 fps [50 fps]
Super Slow:
120 fps
[100 fps]
(Max. 200 Mbps)
422LongGOP 50M 1920 x 1080 4:2:2 10 bit 50 Mbps (VBR) 29.97p, 25p, 23.98p, 59.94i, 50i
AVCHD PS 1920 x 1080 4:2:0 8 bit 25 Mbps (VBR) 59.94p, 50p Dolby Audio
PH 1920 x 1080 4:2:0 8 bit 21 Mbps (VBR) 23.98p, 59.94i, 50i
HA 1920 x 1080 4:2:0 8 bit 17 Mbps (VBR) 59.94i, 50i
HD PM 1280 x 720 4:2:0 8 bit 8 Mbps (VBR) 59.94p, 50p
SD SA 720 x 480 (59.94i)
720 x 576 (50i)
4:2:0 8 bit 9 Mbps (VBR) 59.94i, 50i
P2
(MXF)
FHD AVC-Intra422 1920 x 1080 4:2:2 10 bit 200 Mbps (59.94p) 59.94p, 50p 24 bit LPCM
AVC-Intra200 1920 x 1080 4:2:2 10 bit 200 Mbps (59.94i) 59.94i, 50i
AVC-Intra100 1920 x 1080 4:2:2 10 bit 100 Mbps (59.94i)*1 59.94p, 50p, 59.94i, 50i 24 bit /16 bit LPCM
AVC-LongG50 1920 x 1080 4:2:2 10 bit 50 Mbps (59.94i) (VBR) 59.94i, 50i 24 bit LPCM
AVC-LongG25 1920 x 1080 4:2:2 10 bit 25 Mbps (59.94i)*1 (VBR) 59.94p, 50p, 59.94i, 50i
AVC-LongG12 1920 x 1080 4:2:0 8 bit 12 Mbps (59.94i)*1 (VBR) 59.94p, 50p, 59.94i, 50i 16 bit LPCM
HD AVC-Intra200 1280 x 720 4:2:2 10 bit 200 Mbps (59.94p) 59.94p, 50p 24 bit LPCM
AVC-Intra100 1280 x 720 4:2:2 10 bit 100 Mbps (59.94p) 59.94p, 50p 24 bit /16 bit LPCM
AVC-Intra50 1440 x 1080 4:2:0 10 bit 50 Mbps (59.94i) 59.94i, 50i
960 x 720 4:2:0 10 bit 50 Mbps (59.94p) 59.94p, 50p
AVC-LongG50 1280 x 720 4:2:2 10 bit 50 Mbps (59.94p) (VBR) 59.94p, 50p 24 bit LPCM
AVC-LongG25 1280 x 720 4:2:2 10 bit 25 Mbps (VBR) 59.94p, 50p
AVC-LongG12 1280 x 720 4:2:0 8 bit 12 Mbps (VBR) 59.94p, 50p 16 bit LPCM
  • *1: The bit rate increases to two times when recorded in 59.94p or 50p.
  • *2: VFR is supported only in Progressive mode. Square brackets [ ] indicate a system frequency of 50.00 Hz.

Proxy Recording Format

Main Line Recording Format (P2 MXF) Proxy Format (AVC-Proxy G6)
Pixels Frequency Video Codec Pixels & Frequency Video Sampling Video Codec Audio
1920 x 1080 *1 59.94/50p AVC-Intra422 1920 x 1080_
59.94/50p
4:2:0_8 bit AVC-G6_
12 Mbps
AAC_2CH_
48 kHz_16 bit
AVC-Intra100 1920 x 1080_
59.94/50p
4:2:0_8 bit AVC-G6_
12 Mbps
AAC_2CH_
48 kHz_16 bit
AVC-LongG25 1920 x 1080_
59.94/50p
4:2:0_8 bit AVC-G6_
12 Mbps
AAC_2CH_
48 kHz_16 bit
59.94/50i AVC-Intra200 1920 x 1080_
59.94/50p
4:2:0_8 bit AVC-G6_
6 Mbps
AAC_2CH_
48 kHz_16 bit
AVC-Intra100 1920 x 1080_
59.94/50p
4:2:0_8 bit AVC-G6_
6 Mbps
AAC_2CH_
48 kHz_16 bit
AVC-Intra50 1920 x 1080_
59.94/50p
4:2:0_8 bit AVC-G6_
6 Mbps
AAC_2CH_
48 kHz_16 bit
AVC-LongG50 1920 x 1080_
59.94/50p
4:2:0_8 bit AVC-G6_
6 Mbps
AAC_2CH_
48 kHz_16 bit
AVC-LongG25 1920 x 1080_
59.94/50p
4:2:0_8 bit AVC-G6_
6 Mbps
AAC_2CH_
48 kHz_16 bit
1280 x 720 *2 59.94/50p AVC-Intra200 1280 x 720_
59.94/50p
4:2:0_8 bit AVC-G6_
6 Mbps
AAC_2CH_
48 kHz_16 bit
AVC-Intra100 1280 x 720_
59.94/50p
4:2:0_8 bit AVC-G6_
6 Mbps
AAC_2CH_
48 kHz_16 bit
AVC-Intra50 1280 x 720_
59.94/50p
4:2:0_8 bit AVC-G6_
6 Mbps
AAC_2CH_
48 kHz_16 bit
AVC-LongG50 1280 x 720_
59.94/50p
4:2:0_8 bit AVC-G6_
6 Mbps
AAC_2CH_
48 kHz_16 bit
AVC-LongG25 1280 x 720_
59.94/50p
4:2:0_8 bit AVC-G6_
6 Mbps
AAC_2CH_
48 kHz_16 bit
  • *1: At AVC-Intra50, the number of pixels for main recording is 1440 × 1080.
  • *2: At AVC-Intra50, the number of pixels for main recording is 960 x 720.

Available Memory Card

Format Memory Card Type Bit Rate / Recording Function Speed Class
MOV SDXC memory card/
microP2 card B series
400 Mbps Video Speed Class V60 or faster
FHD ALL-I VFR (23.98p)/super slow
microP2 card A series
(64 GB)
200 Mbps Video Speed Class V30
UHS Speed Class 3 or faster
150 Mbps
100 Mbps
FHD LongG VFR/super slow
FHD ALL-I VFR (59.94o/50p/29.97p/25p)
50 Mbps Video Speed Class V10
UHS Speed Class 1
Speed Class 10 or faster
AVCHD SDHC/SDXC memory card/microP2 card All Speed Class 4 or faster
P2* microP2 card All P2 recording modes
supported by the AG-CX350*
  • * Use a microP2 card for recording in P2 format. For emergency recording, SDXC memory cards can be used for recording in P2 format. but it is not covered under the manufacturer’s support.

Recording Time

Recording Format microP2 Card
64 GB SDXC/SDHC Memory Card
128 GB SDXC/SDHC Memory Card
MOV
(AVC, HEVC)
UHD 400 Mbps Approx. 20 min. Approx. 40 min.
200 Mbps Approx. 40 min. Approx. 1 hour 20 min.
150 Mbps Approx. 55 min. Approx. 1 hour 50 min.
100 Mbps Approx. 1 hour 20 min. Approx. 2 hours 40 min.
FHD 100 Mbps Approx. 1 hour 20 min. Approx. 2 hours 40 min.
50 Mbps Approx. 2 hours 40 min. Approx. 5 hours 20 min.
AVCHD PS Approx. 5 hours 20 min. Approx. 11 hours
PH Approx. 6 hours Approx. 12 hours 30 min.
HA Approx. 8 hours 30 min. Approx. 17 hours
PM Approx. 17 hours 10 min. Approx. 35 hours
SA Approx. 16 hours 30 min. Approx. 34 hours
P2 MXF AVC-Intra422/AVC-Intra200 Approx. 32 min.
AVC-Intra100 (1080-59.94i/50i or 720-59.94p/50p)* Approx. 1 hour 4 min.
AVC-Intra50 Approx. 2 hours 8 min.
AVC-LongG50 Approx. 2 hours 8 min.
AVC-LongG25 (1080-59.94i/50i or 720-59.94p/50p)* Approx. 4 hours 16 min.
AVC-LongG12 (1080-59.94i/50i or 720-59.94p/50p)* Approx. 8 hours
  • * The recording time decreases to one-half when recorded in 1080-59.94p/50p.

Connect to Networks and Systems

Streaming capabilities with 4K quality and SRT protocol support

4K (24p/25p/30p/50p/60p) high-definition streaming is supported. HD streaming output is possible while recording. The streaming method supports RTMP/RTMPS/RTSP/SRT protocols. SRT protocol enables high-quality streaming. Both of Client/Listener mode and encryption are supported.
H.264/H.265 codec and 8/12/25/50/75Mpb bitrate can be selected. Also supports USB tethering using a 5G smartphone. It is compatible with many services such as Facebook and YouTube and allows you to directly broadcast without an external encoder unit. Automatic uploading to a specified server is also supported.

  • * Not compatible with NDI|HX connection. During 4K streaming, recording, thumbnail display, and playback cannot be performed at the same time. When using RTMPS, only H.264 codec is available. When using RTMPS or SRT encryption, the bit rate will be less than 25Mbps. The P2 Network Setting Software is convenient for setting up the RTMP, RTMPS and SRT Client functions. SRT streaming does not support 24p video and SD video.
    See the website, “Connection Confirmed Smartphones with USB Tethering Function” for the smartphone that have been confirmed to be compatible.
    See the website, “Connection Confirmed Live Video Distribution Services,” for the live video streaming services that have been confirmed to be compatible.

Linked with IoT Cloud Platform

Supports operation linked with Panasonic’s IoT Cloud Platform*. Remote operation such as video previews, uploading during and after recording are possible from a remote location via the cloud. It also allows integrated management of setup and firmware for multiple cameras. IoT Cloud Platform allows for remote coverage and video production.

  • * On presale in Japan.

Media Bridge GUI (web browser)

Easy IP Connection: NDI | HX Is Enabled When an Optional NDI|HX License Is Purchased from NewTek

The AG-CX350 is the industry’s first camcorder to support NDI | HX.*1 Equipped with NDI | HX mode, it allows video transmission and camera control via IP connection, without using an external converter. When connected to a system configured with the AV-HLC100 Live Production Center and NDI | HX compatible PTZ cameras*2, the AG-CX350 realizes end-to-end live video production of live events as well as web distribution.

  • NDI | HX, a technology of NewTek, Inc.
  • *1: Recording, streaming and 4K output are not available when using NDI | HX mode. Industry’s first camcorder to support NDI | HX. As of May 2021 (according to a Panasonic survey). To use this function, an activation keycode from NewTek is required. Keycodes can be purchased from the following website: http://new.tk/ndi_panasonic
  • *2: For NDI|HX compatible PTZ camera models, see the "PTZ Camera Systems Line-up".

Cabled/Wireless Remote Control Capability

Wired Remote Control with a Third-Party Controller

Libec
ZFC-L

Manfrotto
MVR901ECLA

VariZoom
VZ-STEALTH

Example of Third-party Remote Controller

The remote terminal (2.5 mm super mini jack) enables the control of the focus and zoom using a remote controller (third-party product).

Compatible with the IP remote control (AW-RP150GJ)

In addition to supporting multi-functional control such as audio levels and REC S/S from the AW-RP150GJ remote camera controller with an IP (wired LAN) connection, it also enables integrated operation with a remote camera system.

  • * Not compatible with all of the control items of the AW-RP150GJ. Also, some of the functions will not work.

Wireless Control from a Tablet or Smartphone

The AG-CX350 can be controlled remotely and wirelessly using the tablet/smartphone app “CX ROP”*1 (downloadable for free from the App Store or Google Play). This app allows you to display camera information and change camera settings. The settings are easy to see and can be changed by tap-and-slide operation. It can operate multiple functions such as zoom, i.Zoom, focus, camera settings/adjustments, REC S/S, and menu settings.
Clip metadata supported. Metadata can be sent from CX ROP to a camcorder and be recorded onto a recording clip.
What’s more, the app can be used to select the camera to control from up to eight cameras in the CX Series (AG-CX350 and AJ-CX4000GJ).*2 The automatic camera search function also supports multi-camera mode, allowing you to easily select and connect to any camera on the network from a list.

  • The Apple App Store and iPad are service marks or trademarks of Apple Inc. registered in the United States and other countries.
  • *1: iPhone/iPad: iOS 12 or later are supported. Android devices: Android 5.0 or later are supported. Wireless module (optional AJ-WM50, AJ-WM50G or recommended third-party Wi-Fi dongle) is required.
  • *2: The app does not support simultaneous/synchronous control of multiple cameras. Camera switching takes several seconds.

* Pictures simulated.

CX ROP

Professional System Features

  • TC synchro multi-camera recording: The TC IN/OUT terminal (BNC) allows synchronization of the time code in multi-camera shooting. The camera number (A to Z) can be added* to the name of the recording folder to facilitate editing.
  • Parallel Output of SDI and HDMI: Output of UHD video via HDMI and output of HD video in high-image-quality 10-bit, 4:2:2 via SDI enable a variety of uses. In V-Log shooting, either V-Log or V709 (HDR or SDR in HLG shooting) can be selected for each of the SDI, HDMI and LCD video outputs.
  • Compatible with LiveU/TVU bonding connection: displays the device information (battery status/remaining battery capacity/errors) onto the viewfinder/LCD monitor.

Example of SDI and HDMI parallel output

  • * Only when the MOV codec recording. Setting must be made in each camera.

Low Power Consuming, Large-Capacity Battery, Quick Charge

The AG-CX350 boasts low power consumption of 11.5 W (in factory setting, with no devices connected to the terminals), which is the industry’s lowest in the UHD/HD 10-bit recording professional camcorder segment. The maximum power consumption is only 17 W (HEVC recording, LCD turned ON, devices connected to the terminals).*1 With the supplied battery pack (5900 mAh), the AG-CX350 operates continuously for about 3 hours and 20 minutes. This large-capacity battery pack supports quick charges.*2

  • *1: As of May 2021. According to a Panasonic survey
  • *2: Quick charge is possible only when the AG-BRD50 battery charger is used.