- Uncompromising shooting performance and operability.
- High sensitivity of F14/2000 lx, equivalent to a studio camera
- New generation engine that maximizes image sensor performance and improves image quality and AF performance
- Equipped with newly developed PDAF (Phase Detection Autofocus)
- Equipped with newly developed PTZ mechanism
- Equipped with moiré reduction function by optical low-pass filter
- Compatible with V-Log
- Compatible with HDR (HLG)
- Equipped with Optical Image Stabilization (OIS) and Electronic Image Stabilization (EIS)
- Realize next-generation video production with various shooting methods and functions.
- Industry's first SMPTE ST 2110 standard compatibility
- Industry's first return input function
- Supports 2x high-speed output
- Equipped with 2 XLR channels for audio input to enable high-quality recording
- Industry's first 5G mobile router (USB tethering support) for high-speed, high-capacity videotransmission
- Equipped with a rear tally lamp
- FreeD support for construction of AR/VR systems
- Cropping function
- Flexibility to freely set positions and angles
- Ease of use and versatility reduces stress of shooting on-site.
Uncompromising shooting performance and operability.
High sensitivity of F14/2000 lx, equivalent to a studio camera. Noise reduction and improved image quality are realized by the newly developed image processing engine. By combining a variety of functions, including a newly developed Phase Detection Autofocus (PDAF) function, a new feature in the PTZ Camera that enables high-speed focusing on moving subjects, the camera can produce high-quality videos in all kinds of situations, such as shooting in dark places and shooting moving subjects. The newly developed PTZ mechanism provides a high-precision operating feel while maintaining a compact body to support the delicate shooting techniques of professionals and contribute to uncompromising video shooting.
High sensitivity of F14/2000 lx, equivalent to a studio camera
The high sensitivity of F14/2000 lx allows for clear, clean images even when shooting moving subjects in dimly lit rooms such as stages and live venues. Choose from two modes, Normal* or Low Light, to set the sensitivity according to the shooting location or scene.
- * F11/2,000 lx under Normal mode.
New generation engine that maximizes image sensor performance and improves image quality and AF performance
The camera uses a new-generation image processing engine, also used in the LUMIX GH6, with improved processing power. High-pixel image data output from the 1-type (1“) (effective size) MOS sensor, which offers an excellent balance between adequate depth of field, high image quality and high sensitivity, is processed at high speed to improve the S/N ratio. In terms of autofocus (AF) performance, the subject detection performance has been greatly improved through faster processing of calculations and improved AF algorithms, and highly accurate AF is achieved by discriminating between the subject's movement and characteristics. It also offers high video processing performance and enables more unique video expression with resolution performance, high sensitivity performance, and color reproduction that do not compromise your commitment to video image creation.
New noise reduction (2D)
Realizes more natural and three-dimensional rendering with less noise than ever before, with improved performance in suppressing unpleasant color low-frequency noise and pleasant noise graininess.
Afterimage-less 3DNR
Significantly improves the ability to distinguish between still and moving areas and eliminates unwanted noise while suppressing afterimages.
New Intelligent Detail
Analyzes the characteristics of the subject pixel by pixel and determines flat/detailed/edge areas. By controlling image processing based on the results, detailed areas are rendered with a greater sense of resolution, while edge areas are suppressed from unnatural fringing (shoot phenomenon) caused by image processing. By performing appropriate image processing according to the subject, the camera realizes true descriptive power with high reproducibility.
Equipped with newly developed PDAF (Phase Detection Autofocus)
Equipped with a new AF system that combines phase detection AF (phase detection) with contrast AF (contrast detection). The camera's fast focusing speed and high focusing accuracy enable it to track subjects and capture in-focus images, whether it is continuously focusing on a moving subject or switching focus on multiple subjects.
Focus guide (for manual operation)
The image phase detection distance measurement technology is used to display an icon on the web GUI to indicate the camera's in-focus status. It will assist in adjusting the focus during manual operation.
1. The basket in the back is in focus. (Green focus icon)
2. Move the icon to the position you want to focus on. (It changes to a yellow rear focus icon)
3. Adjust the focus with manual operation. When the camera is in focus, the icon changes to a green focus icon.
Auto Iris Window
The auto iris function enables shooting at a stable brightness.The photometry range can be set using predefined patterns or customized ranges*.
- * Firmware update may be required.
Equipped with newly developed PTZ mechanism
A new PTZ mechanism was developed to maintain the compact body while incorporating a large sensor/lens for high picture quality and system camera-level functions. The camera is quiet and does not disturb the model, and its high static accuracy provides a high operability that allows the camera operator to shoot exactly what he/she aims for.
Equipped with moiré reduction function by optical low-pass filter
Equipped with an optical low-pass filter to suppress luminance and color moiré. It reduces moiré that is likely to occur during broadcasting and streaming, such as in studio monitors and displays and LED walls used in stadiums, enabling the production of more beautiful and easier-to-view images.
Compatible with V-Log
Compatible with V-Log, which is used in Panasonic's high-end VariCam cinema cameras and LUMIX mirrorless cameras. The wide dynamic range and wide color gamut provide images suitable for color grading. When used in conjunction with our camera recorders and studio cameras equipped with V-Log, video production with consistent image creation is possible. In addition, two settings, V-Log and V-709, can be selected independently for each output interface. Simultaneously output 4K V-Log video for color grading while outputting Full HD V-709 video for onsite monitoring.
What is Log?
It has a wide color gamut and wide dynamic range, and records all brightness as evenly as possible, resulting in a low-contrast image in appearance.
The color grading tool allows a high degree of freedom in image creation using 3D LUTs and CDLs.
V-Log is a log curve developed for the VariCam cinema cameras based on our image creation philosophy and is used in many of our cameras.
For more information on V-Log, please see this reference manual.
Compatible with HDR (HLG)*1
Compatible with HDR (High Dynamic Range), which prevents white-out and blackout and produces images that are close to those of the naked eye. Compliant with HLG/BT.2020.
- *1: The display color space does not fully encompass BT.2020. The color balance is shifted to match the BT.2020 color gamut.
HDR Mode OFF
HDR Mode ON
Equipped with Optical Image Stabilization (OIS) and Electronic Image Stabilization (EIS)
In addition to the conventional 2-axis in-lens image stabilization (Pitch/Yaw), which is based on fine-tuning of the lens, the camera also features roll correction that uses electronic image processing technology to provide highly effective correction. Stable images with reduced blurring can be shot even in locations where special equipment such as a rail systems or camera arms are used.
Improvement of synchronized pan, tilt, and zoom during preset movement
The newly added preset PTZ sync mode* enhances the simultaneous pan, tilt, and zoom at the start and end of preset movement, achieving seamless motion.
- * Firmware update may be required.
Realize next-generation video production with various shooting methods and functions.
First PTZ Camera to be equipped*1 with the SMPTE ST 2110 standard*2, 5G mobile router (USB tethering support) for high-speed, high-capacity video transmission,return function for use as a prompter for performers, and two XLR channels for audio output to enable high-quality recording. It also supports valuable functions for use with a system camera, such as a maximum 2x high-speed shooting function and a tally lamp on the rear panel.
In addition, the Auto Framing function*3 allows you to automatically perform high-quality framing using preset functions that reproduce the composition you set freely with high precision, as well as functions such as group shots.
The AW-UE160, which has been updated to specifications equivalent to those of a system camera while maintaining the flexibility of a PTZ camera that can be freely set to any position and angle, can be applied to both use and replacement of a system camera, giving users a wide range of options for future video expression and production.
- *1: As of October 2022, according to our research.
- *2: Activation with the separately sold software key AW-SFU60 (released at the same time as AW-UE160) is required.
- *3: Scheduled for release in the first quarter of CY2025. May require camera firmware or Media Production Suite update.
Industry's first*1 SMPTE ST 2110 standard compatibility*2
The first PTZ Camera to support the SMPTE ST 2110 standard for video transmission over IP networks*1. By constructing an IP-based studio system in combination with the IT/IP platform “KAIROS” or AK-UC4000/AK-UCU600/AK-NP600, it is possible to improve the efficiency of the video production site.
- *1: As of October 2022, according to our research.
- *2: Uncompressed transmission up to 1080/60p is supported. Activation with the separately sold software key AW-SFU60 (released at the same time as AW-UE160) is required.
SMPTE ST 2110 Professional Media Over Managed IP Networks
The SMPTE standard is an international standard that brings together several standards for communicating video over IP networks. The standardization of this standard has made it possible to handle individual data such as video, audio, and auxiliary data, enabling highly accurate synchronization.
The switch from SDI to IP-based transmission is underway in the broadcasting and video industry as a result of the standardization of the SMPTE ST 2110 standard.
Moreover, AW-UE160W/K also supports JPEG XS*. It enables video transmission in 4K/HD compressed format, expanding the range of operational system options to suit the site.
- * Firmware update may be required.
What is JPEG XS?
The JPEG XS codec is a compression standard of ST 2110-20 (ST 2110-22), which is characterized by almost no video degradation even when the data volume of the original image is compressed to about 10%, and by a compression processing delay of less than 1 msec. The compression ratio can be changed from 1/20th to 1/5th to suit the application and infrastructure, such as 1/5th for mainline use and 1/20th for monitoring purposes such as multi-viewers.
Industry's first*1 return input function
The camera can be used as a prompter for return images and manuscript displays where the performer checks the video being streamed or broadcast on the spot*2, allowing adjustment and shooting to the targeted angle when performing chroma key compositing or when linking with AR/VR systems.
- *1: As of October 2022, according to our research.
- *2: SMPTE ST 2110 is required to build the system; use of SMPTE ST 2110 requires activation with software key AW-SFU60 (sold separately).
Supports 2x high-speed output
The camera captures smooth and beautiful slow-motion video by performing high-speed shooting at FHD 120 fps so not a single frame of the decisive moment is missed.
- *1: fps is a unit of frames processed per second.
- *2: Output from HDMI output or 2 SDI OUTs (3G SDI OUT1, 3G SDI OUT2). When outputting using 2 SDI OUTs, a separate slow motion server is required.
Equipped with Auto Framing powered by AI* Scheduled for release in the first quarter of CY2025
With the Auto Framing function, which replicate user-defined framing settings with high precision, you can achieve high-quality video shooting automatically.
- Register up to three framing presets to accurately reproduce user-defined framings
- Group shots for framing multiple subjects, such as two- and three-shots
- Stable framing of moving subjects based on advanced human body detection using deep learning technology and camera control for professional-level camera work, including consistent headroom
- Privacy-conscious shooting since body detection does not require personal information
- Subject-tracking autofocus using phase detection auto focus
- Seamless integration with the Panasonic AW-RP150GJ & AW-RP60GJ remote camera controllers
- Tablet-ready GUI for touch-panel operation
- * May require camera firmware or Media Production Suite update. Subject detection is handled by the camera's internal processor, and framing commands are managed with the Media Production Suite.
Equipped with 2 XLR channels for audio input to enable high-quality recording
The camera is equipped with two XLR channels for audio input, allowing audio input from the left and right side of the venue with high-performance microphones. It can also be used for filming at live performances, theatrical performances, and other sites where acoustics are vital.
Industry's first 5G mobile router (with USB tethering support) support for high-speed, high-capacity video transmission
4K video data can be wirelessly transmitted on the spot by connecting a 5G mobile router via USB to the terminal on the rear panel. It is also possible to broadcast events and live streams from locations where cables are not laid or from outdoor event venues.
- * As of October 2022, according to our research.
Equipped with a rear tally lamp
The tally, which was only available on the front (subject side), is now also available on the rear (operator side) so that you can see the camera taking videos from any angle. The tally lamp can be linked to the front and rear sides to set the brightness and select ON/OFF. The yellow tally lamp can be used for any number of applications, such as when there are a large number of cameras, when multiple cameras are used on site, or when simultaneous streaming and recording are required.
FreeD support for construction of AR/VR systems
It is possible to connect to AR/VR systems by outputting FreeD compliant commands. The camera's tracking information (Pan/Tilt/Zoom/Focus/Iris) is output in conjunction with the synchronizing signal, making it possible to easily build a system without an encoder.
- *1: FreeD is a protocol that outputs camera tracking data for AR/VR systems.
- *2: AR: Augmented Reality, VR: Virtual Reality.
- *3: A software version upgrade of the main unit may be required.
Cropping function
It is possible to crop-zoom and cut out video at the same time as outputting an entire video shot in 4K. The cropping position can be specified from a maximum of three locations and can be easily operated from the AW-RP150 PTZ Camera controller or web browser screen.
Flexibility to freely set positions and angles
It is possible to shoot from high angles using ceiling mounts and totems, as well as low angles from in front of the audience or from the stage. It can be installed in space-saving areas where equipment cannot be placed or where it is difficult to deploy staff, thereby improving efficiency in video production.
ROBOTICS
For more information, please visit the website below.
- * Availability may vary depending on the country/region
Ease of use and versatility reduces stress of shooting on-site.
Equipped with a wide variety of I/Fs and protocols that can be connected to all types of installation sites and systems and reduce the burden of introduction to existing system construction. The use of scene files, color matrix control, and other functions that facilitate image and color matching with existing system cameras and PTZ Cameras, as well as Panasonic's free software and Remote Operation Panel (ROP), which allow for the integrated management of existing cameras, makes mixed operation with system cameras even easier.
Various I/Fs and supported protocols
Supports HDMI, 3G-SDI, and IP output as well as 12G-SDI output and fiber-optic output. Also equipped with two XLR channels for audio input. The output method can be selected to suit the operation, making it easy to add to an existing imaging system or build a system tailored to the site.
In addition, there are no restrictions on the video output method, even when outputting from multiple terminals simultaneously, allowing simultaneous operation in 4K. For example, it is possible to set up a system that operates with three main lines (12G-SDI), one for confirmation (3G-SDI OUT1), and one for monitor display (3G-SDI OUT2).
High image quality and low latency with NDI® support
NDI® High bandwidth and NDI® HX2, which encode and transmit high-quality video in real time, are included. NDI® High bandwidth transmits 4K video at a maximum of 250 Mbps and full HD video at a maximum of 125 Mbps, enabling high-quality, low-latency live video transmission.
- * NDI® is a video connectivity technology and is registered as a trademark by Vizrt NDI AB in the United States and other countries.
SRT* support for stable video transmission over public lines
SRT, a next-generation video transmission protocol with strong security suitable for unstable network environments, is supported.
- * SRT:Secure Reliable Transport.
Direct Broadcast via RTMP/RTMPS*
RTMP/RTMPS* is supported to enable direct upload of video to live-streaming services such as YouTube Live and Facebook Live. This means a live stream can be broadcast directly from the camera.
- * RTMP:Real-Time Messaging Protocol. RTMPS: Real-Time Messaging Protocol Secure.
Smooth image and color matching
The scene file functions can record and update various camera settings in eight scene files. They can also be copied to multiple cameras via a PC.*
- * Scene file copy using AW-RP150/AK-HRP1010 and SD card will be supported in the future.
Scene file functions
Color matrix control allows sensory adjustment of color on the screen, making color matching easier.
The workload for image and color matching can be reduced, which reduces the time and effort required to introduce the system and prepare for shooting.
Waveform display function
It is possible to add the waveform monitor display on the monitor output (3G SDI OUT2). The waveform can be selected from the upper right/bottom right/upper left/bottom left of the monitor screen to be displayed, making it easy to make adjustments while viewing the actual image.
Horizontal level gauge display function
Horizontal level gauge has been added to the OSD/WEB screen so that you can check whether the installation is level or not.
Compatible with free Panasonic software
Media Production Suite
The Media Production Suite is a software platform that offers a variety of functions for enhanced video quality and increased operational efficiency. By centralizing the management and monitoring of Panasonic cameras, it facilitates the streamlining of setup, management, and control – even in dynamic shooting environments such as online lectures, webinars, academic conferences, and live events. Additionally, with plug-ins available for an additional fee*, the Media Production Suite provides numerous functions for operational support, enabling high-quality productions to be achieved with minimal crew.
- * Planned for future support
Previous PTZ camera software (EasyIP Setup Tool Plus, PTZ Control Center, and Auto Tracking Software) have been integrated into the Media Production Suite.
PTZ Virtual USB Driver
Any Panasonic PTZ camera or professional camera recorder* on your LAN can be recognized and used as a USB camera.
- * Professional Camera Recorder (AG-CX350, AJ-CX4000GJ, AG-CX10, AG-UMR20 and AG-MDR25)
Compatible with Panasonic Remote Operation Panel (ROP)
By using Panasonic's ROPs such as AK-HRP1010GJ*, AK-HRP1000GJ, AK-HRP1015GJ* and AK-HRP250GJ*, PTZ Camera and studio cameras can be operated and managed with the same equipment, allowing those familiar with studio camera operation to feel at ease.
- * Only IP connection is available with AW-UE160W/K. For other cameras that can be connected to various ROPs, please take a look at the “Controller Compatible Models List PDF”.
Compatible with IT/IP platform "KAIROS"
This product is compatible with the IT/IP platform "KAIROS". It is a live video production platform developed based on a new concept and innovative architecture. It incorporates proprietary, ground-breaking software to maximize the CPU and GPU capacities for video processing.